PROJECT
FOR THE DAY YOU'LL LOVE ME |
Texts and photographs included in The Ghosts of Ñancahuazú |
This
comprehensive series of installations gathers several works made about the
information and the iconography of Ernesto Che Guevaras final tragic
campaign in Bolivia in 1967. The central research began in 1987 around the
well-known and still anonymous photograph by Freddy
Alborta who, together with a group
of Bolivian journalists was allowed to view and to photograph the body of
Che Guevara after his capture and execution at the hands of the Bolivian
army, during a press conference that lasted twenty minutes in Vallegrande,
Bolivia on October 10, 1967. |
'ERNESTO CHE GUEVARA IN BOLIVIA:A Chronology' is a compilation of quotes from several basic texts such as The Bolivian Diary by Ernesto Che Guevara, Che in Bolivia by Carlos Soria Galvarro, My Friend Che by Ricardo Rojo, How I Captured Che by Gen. Gary Prado Salmón, From Ñancahuazú to La Higuera - A. Cupull and F. González, Don't Shoot, I Am Che - Gen. Arnaldo Saucedo Parada, and The Great Rebel - Luis González & Gustavo Sánchez Salazar. It also includes quotes from diverse publications which are individually identified. Given that most of the books listed above were written soon after the incident, in consulting this material, I realized that it was essential to organize individual entries in a global manner and to focus on day by day reports listing police reports, military data and historical perspectives side by side with Che Guevaras diary entries. The effect resulting from organizing these texts day by day or incident by incident in contiguity to one another was very disturbing. The pragmatic or reflexive tone of some entries is often paradoxical and tragic, particularly if the viewer/reader is able to follow them in the context of the Project For The Day You'll Love Me installations. The events related to Ernesto Che Guevara's last campaign in Bolivia continue to puzzle historians who wish to reconstruct an incident that, no matter how much data is gathered, remains clouded by impenetrable existential and ideological perspectives. Quoting fragments from these entries and gathering them in this fashion was an extraordinary personal discovery since the Chronology reveals areas in the story where the passion and the pathos of this incident intersect and frame social and ideological conditions that are recurrent in Latin American life, demanding a closer look. |
Project For The Day You'll Love Me - Betty Rymer Gallery - The Art Institute of Chicago |
.Joaquín's Column, Project For The Day You'll Love Me - Apex Art, New York |
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•The Ghosts of Ñancahuazú - Photographs and essays by Freddy Alborta, John Berger, Jean Franco, Eduardo Grüner, Leandro Katz, Mariano Mestman and Jeffrey Skoller - Viper's Tongue Books, English and Spanish, 2010 |
Selected
Collections -Museo de Arte Moderno de Buenos Aires, MAMBA, Argentina -Museo de Arte Contemporáneo de Rosario, MACRO, Argentina |
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